ELIXER OPERA
Manhattan's PopOpera Band

ANGELA BILLINGS SBANO, Soprano
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ANGELA'S recent appearances include Barbarina in The Marriage of Figaro (Brooklyn Repertory Opera), Don Giovanni and Amahl & the Night Visitors (Chelsea Opera), Voices of Hope Concert Series (UWS & West Village), Moby Dick: The Sermon, and the role of Kathleen O'Leary in Susan Stoderhl's contemporary opera AFRAID (both with BRO), Sally in Die Fledermaus (Stony Hill Players), Minerva in Orpheus in the Underworld (highlights) and The Mikado (both with Ridge Light Opera), and the Faure & Durufle Requiems (Morris Conservatory Symphonic Chorus). Musical theater favorites include numerous productions by award-winning composer Regan Ryzuk such as Rapunzel in Rapunzel, Stephanie in Joe’s Bar, Star Fairy in Sleeping Beauty, and the Snow Queen in Holiday Magic. Other favorites include Estelle in The Full Monty (CAP), Stewardess Robinson in Titanic at the Count Basie Theater, Francisca in West Side Story and Mrs. Dunlop in The Music Man at the historic Darress Theater. An Arkansas native, she cheered at the University of Arkansas at Little Rock, earned her Master's degree from the

CHRISTINA ROSAS, Mezzo-Soprano
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CHRISTINA most recently appearanced in Manhattan as The Mother in Amahl & The Night Visitors. A native of Miami, she earned her BA in Voice Performance from Florida Southern College (graduating cum laude), and completed her Masters of Arts degree in Music from Middle Tennessee State University where she also worked as a graduate teaching assistant. A performer in Opera, Song Recital and Chorale Singing, Ms. Rosas has performed throughout the US, and sung the title role in La Curandera as part of Opera Colorado’s 2007 Outreach Ensemble. As a member of the ensemble, she toured the state of Colorado and sang for over 80,000 people. Other favorite roles include Cherubino in Le Nozze de Figaro, Annio in La Clemenza di Tito, Dinah in Trouble in Tahiti, The Mother in Amahl & the Night Visitors, Clarina in La Cambiale di Matrimonio, and Hansel in Hansel and Gretel. New York operatic roles include Prince Orlofsky in Die Fledermaus, Rosina in Il Barbiere di Siviglia, Flora in La Traviata and Pitti-Sing in The Mikado. Performing with collaborative artist Jason Hart, Ms. Rosas has performed in numerous recitals such as Trinity Church's Concert at One Series and the Harvard Club, and recently produced their first CD. Ms. Rosas is the alto section leader for St. Gregory's Church on the Upper West Side.

MARC SCHREINER, Tenor
Marc Schreiner has performed a wide range of tenor repertoire throughout the United States and Europe. Last season's engagements included: Laurie in Mark Adamo's Little Women with Syracuse Opera, Narraboth in Salome by Richard Strauss with the Toledo Opera, Pinkerton in Puccini's Madama Butterfly with the Battle Creek Symphony, Il Duca in Verdi's Rigoletto with the Kentucky Symphony Orchestra, Alfredo Germont in Verdi's La Traviata with The Lake George Opera, Il Duca In Verdi's Rigoletto with Syracuse Opera, George Shannon in Michael Ching's Corps of Discovery with Fargo Moorhead Opera, Lysander in Britten's Midsummer Night's Dream, and Cassio in Verdi's Otello with Des Moines Metro Opera. Upcoming Engagements: Rodolfo in La Boheme- Fargo ND, and Orpheus in Gluck's Orpheus and Euridice with Opera Memphis.

COLM FITZMAURINCE, Tenor
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Making his mark in Operetta, Opera and Music Theater throughout the

JASON KAMINSKI, Baritone
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Jason's signature roles include Figaro in Il barbiere di Siviglia, Mercutio in Roméo et Juliette, Marcello and Schaunard in La Bohème, Dottore Malatesta in Don Pasquale, Escamillo in La tragédie de Carmen, Guglielmo in Così fan tutte and Dr. Falke in Die Fledermaus. In 2006, Mr. Kaminski had the honor of covering the baritone villain, Shrike in a world premiere opera entitled Miss Lonelyhearts for the

MATTHEW CURRAN, BASS
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Matthew has garnered attention internationally with his broad range of repertoire and strong physical presence. He received his Master's degree at the prestigious Indiana University School of Music, which led him to being immediately accepted into the Seattle Opera's young artist program where he sang Colline in La Bohème, Don Magnifico in La Cenerentola and Zaretsky in Eugene Onegin. Following
